renay: photo of the milky way from new zealand on a clear night (Default)
[personal profile] renay posting in [community profile] ladybusiness
As we watch the United States get rocked by authoritarian weirdos and must weather the consequences of their dire decisions, I've been thinking a lot about apocalypses.

Many varied stories have been written about them and every day someone is living through the upending of their entire world, so they've been on my mind. My offline work is political and community organizing, and last November after Everything I went, "Huh, I really want to do more community organizing than political organizing right now." Political organizing is a miserable grind and comes with a lot of loss, disappointment, and maybe a win every now and then. Community organizing is more appealing to me now because it's much more immediately rewarding. People need food and shelter and care throughout their lives, and everyone cared for, even for a moment, is a win.

It's all these feelings that make me want this in my fiction. Where, as systems break down around us or we're facing hard circumstances, we come together and build alliances. Everyone has a skill and a part to play in their community, however large or small. I love seeing this reflected in fiction. The world being the way that it is makes me think of apocalyptic or post-apocalyptic fiction, but instead of only the messy, mean, destructive parts, I'm drawn to the still sharp, but hopeful parts.

This started with a rec from The WYRMHOLE, The Last Great Repair Tech of the American Midwest by Ellis Nye.

The story is only 1800 words and is told via obituary. The obituary is a celebration of how integral a person was to her community. The affection and respect drips into sweet pools of memory from line to line as the writer reflects on how their community would have been so much worse off without this person's care. The deep sense of loss isn't only for what one person could do for her community, but for how much this person watched, and listened, and saw the people she helped for the things they cared about and had passion for.

I'm familiar with this type of emotional care through help because it's the kind I was raised on. I was always running all over rural Arkansas in my dad's truck, taking someone a part for a lawnmower or a truck or some HVAC part and staying awhile to gab. They'd give me a crisp Coca-Cola or a Southern sweet tea while the adults talked through the labor. I would play in their yard, or with their pets, or collect eggs we got to keep from their chickens as I watched these exchanges happen. They were easy, friendly, and compassionate, full of a sense of "I've got you next time." that was apparent to me even as a kid. Dad could fix most things for people if they could be fixed, even if he was really bad at asking for help in return.

My mom handled things a little differently. She wasn't a fixer, but she cooked food for people when she had time. She bought things people needed when times were tough because she had the money and could help. I remember so many winters trudging through cold weather, pulling home-cooked goodies in my wagon and knocking on doors to deliver. They'd bundle me into their toasty houses and accept the food while plying me with hot chocolate and gifts to take back to my mom in return. This is how we ended up with so many homemade soaps. I sure did use a lot of soap in the shape of seashells during my childhood. But heck, soap is soap.

Those are the emotions that "The Last Great Repair Tech of the American Midwest" made me feel, even though it's set far in the future and something uncertain—inflation, poverty, a nebulous Event—has made new technology to replace the old hard or impossible to come by. That spirit of fixing things until they can't be fixed anymore for your neighbors, caring for the things they're doing so they have the tools to do it, and sharing skills and knowledge is something special. Planned obsolescence is truly a curse we've allowed capitalism to place on us as a society.

I've been jokingly calling this genre I'm inventing in this very paragraph "Soft Apocalypse". Sandstone recommended Jo Walton's summary of what people called cosy catastrophes. While that definition gets close to the vibe I'm thinking of, it doesn't feel quite right. I say this having not read many of the books Walton cites. For one, in the stories I'm thinking of most of the characters feel like they were working class in the world before, or at least, not obscenely wealthy.

While I was percolating over my theory of Soft Apocalypses, two other pieces came to mind.

The more recent story is "The Year Without Sunshine" by Naomi Kritzer, which handwaves the Big Event that causes a community to have to band together to take care of themselves. The Big Event being handwaved is the point, because the focus is on how the people in the story adapt to their circumstances. This story fits in my internal Soft Apocalypse category because of this:

I had actually thought we’d need to come up with a way to pay people—after the first week, anyway—but it turned out to be exactly like ripping up yards to plant potatoes, people were willing to just do it. No one wanted to be responsible for doing all of it, but pedaling one of a dozen bikes for an hour? Or a half hour? Lots of people were willing.


The whole point of this story is people helping people for the sake of helping, not to get anything for it. The story highlights this again and again, mostly through Clifford and Susan's sections as the community works to keep Susan alive and Clifford's spirits up. It also does this in little throwaway bits: potatoes, deer, insulin, child care, and how and when to welcome new people.

The next story is skirting the edge of the whole Soft Apocalypse vibe, but it was immediately in my brain once I started considering this topic. And Then We Shot the Ox by mightystickbug is an Oregon Trail fanfic that is still brilliant after all these years. It's much darker, but the reason it stays in this category for me is the hope threaded through the narrative from our unnamed protagonist. After everything, they're still optimistic to find something of what they set out to look for, regardless of their losses.

There's also a theme of community here, although just in passing. This group of travelers is looking for community, for sure, even if only for temporary respite. The group meets other communities that are closed to them—for safety reasons, we quickly learn—but also one that's open and welcomes them as friends. Although the narrator quickly changes the potential read on whether that community was truly welcoming or not, it doesn't knock the story out of the chaotic category I've made for myself. It's clear from the ending that these three people will find a place to land, someday. If they survive, they'll hopefully have a chance to create a community of their own—one that's trustworthy. They'll serve newcomers pancakes for breakfast.

I would love to find more short fiction or even novels that are similar to these stories. Jenny recommended Liberty's Daughter, also by Naomi Kritzer. I talked about this book back in 2023. It's got Soft Apocalypse vibes for sure. My partner suggested Station Eleven by Emily St. John Mandel, which could also fit the vibe I'm going for, but there's a lot of detail about the Preceding Event, which I don't need for the story to fit the bill.

I haven't gone back to look at my past reading to find more of these types of stories, but I'm sure there tons I'm missing I haven't recalled yet. I have, quite deliberately, not used the word "cozy" here because I think it has lost all meaning in our current moment. Soft Apocalypse, for me, means that the story is dealing with the aftermath of Something (usually not detailed) and there's explicit community building happening, or references to community building. It doesn't need to be set in our world, although all the ones I've mentioned here are. I'd love to find stories like this with a secondary fantasy setting, or even space. Not sure how it would work in space, but it'd be cool to see.

Stories about people helping each other or taking another step forward even though it's incredibly hard or painful, really mean a lot to me right now. If you know of any stories like this, please share. :)

Thoughts

Date: 2025-04-15 09:38 am (UTC)
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
From: [personal profile] ysabetwordsmith
>> My offline work is political and community organizing, and last November after Everything I went, "Huh, I really want to do more community organizing than political organizing right now." <<

I took a different tack. I've redirected more of my energy toward wildlife and the environment. After all, they didn't vote for an internet troll. Humans, well, there's only so far I can justify trying to interfere with their free will. The first time it's a mistake; the second time it's a choice. So the next time Florida gets reamed by a climate-change-magnified hurricane, I'll be outside weeding, and they can deal with the consequences of their choices.

I do still support my local communities. I'm in a rural area, so to me that means any town I routinely spend time in. I favor local businesses when I can. I'd rather keep the money local as much as possible. And besides, shopping at a Mexican bakery or African grocery store is a way to poke bigots in the eye.

>> It's all these feelings that make me want this in my fiction. Where, as systems break down around us or we're facing hard circumstances, we come together and build alliances. Everyone has a skill and a part to play in their community, however large or small. I love seeing this reflected in fiction.<<

It's the most popular branch of my writing. I do have some darker stuff but it's a lot less popular. My readers like to fantasize about societies where things actually work. The most popular is Polychrome Heroics, which is superhero fantasy. We like to dig into how it works, and we are often surprised how much is based on things that are replicable with local resources rather than wholly dependent on superpowers.

>> The world being the way that it is makes me think of apocalyptic or post-apocalyptic fiction, but instead of only the messy, mean, destructive parts, I'm drawn to the still sharp, but hopeful parts.<<

My fans put me up to writing postapocalyptic hopepunk. Daughters of the Apocalypse is mostly populated with women, people of color, queers, the disabled ... everyone outside the target of ablebodied straight white men who'd make capable soldiers. It's an apocalypse, but a very different one full of mostly different stories from the usual.

>>I was always running all over rural Arkansas in my dad's truck, taking someone a part for a lawnmower or a truck or some HVAC part and staying awhile to gab.<<

*chuckle* In college, I wound up driving people to appointments or major shopping runs because ... I had the car. The only car in our circle of friends. And when I needed crash space because I had a late-evening class and couldn't drive in the dark, I had a couch waiting for me. We had a fairly tribal approach to resource allocation.

>>Planned obsolescence is truly a curse we've allowed capitalism to place on us as a society.<<

Aaaaand that's why I like to shop in Amish territory. They have little patience with that bullshit. I'm a fan of Right to Own and Right to Repair too.

>>I've been jokingly calling this genre I'm inventing in this very paragraph "Soft Apocalypse".<<

It reminds me of Copernick's Rebellion.

>> I would love to find more short fiction or even novels that are similar to these stories. <<

Feel free to ramble through what I've got posted online. You're also welcome to drop by any relevant prompt call and ask for soft apocalypse; I'll be happy to write more. Next up is the [community profile] crowdfunding Creative Jam Saturday 19-Sunday 20 with a theme of "Empowerment" so that's a decent fit. Next Poetry Fishbowl will be May 6 on "Ethical Supervillains" which isn't a great match, but June 3 will be "Gentleness Is Strength" which is another good one. Also well worth a look is [personal profile] dialecticdreamer who does Magpie Monday with a rotating theme, currently "Apologies" and Feathering the Nest is always gentle fiction. Soft apocalypse should fit there.

>>I have, quite deliberately, not used the word "cozy" here because I think it has lost all meaning in our current moment.<<

Up to you. I've seen some quite detailed definitions of parameters for what makes a "cozy mystery" and, for instance, there can't be any violence or gore. The murder is always offstage and the body is never discussed in messy detail. It's just about the puzzle -- and often, the relationships between characters.

I find it interesting to explore. What makes curtainfic? What makes cottoncandy? Because "cozy" is a mood, but it can also have plot requirements. And yet, I've had readers latch onto things as outright comfort reading that are fairly harsh on my scale. They tell me that it's less about the actual events than it is about how characters handle things -- what matters is that people try to comfort and help each other when things go wrong.

[community profile] allbingo ran Sleepytime Bear as the theme for last November. You might mine that prompt list for inspiration.

>> Soft Apocalypse, for me, means that the story is dealing with the aftermath of Something (usually not detailed) and there's explicit community building happening, or references to community building.<<

You might also like the site Strong Towns, which is all about ways to build community.

>> Stories about people helping each other or taking another step forward even though it's incredibly hard or painful, really mean a lot to me right now. If you know of any stories like this, please share.<<

Mercedes Lackey has written about multiple apocalyptic events, two of them in Velgarth which is a fantasy world. The first was the Mage Wars, and then later, Mage Winds. Here's a timeline. That setting runs strongly to people helping each other.

Re: Thoughts

Date: 2025-04-17 02:46 am (UTC)
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
From: [personal profile] ysabetwordsmith
*bow, flourish* Happy to be of service!

I applaud your search for the soft apocalypse.

Date: 2025-04-15 04:16 pm (UTC)
brownbetty: (Default)
From: [personal profile] brownbetty
Carrie Vaughn's Bannerless feels to me like it might be what you're looking for. It's a post apocalyptic network of communities that have built some stability. Maybe too post-?

Date: 2025-04-16 10:02 am (UTC)
windancer: (Default)
From: [personal profile] windancer
Open Mic Night at the End of the World (Jessica Meyers) might suit? It has a heavy emphasis on re-making connections and learning new ways to be people.

More recs

Date: 2025-04-17 04:30 am (UTC)
From: (Anonymous)
Oh, I have some favorites that might fit. Have you read Margaret Killjoy's books? Her Dani Cain novellas are set in the modern world, but they take place in punk anarchist communities that feel very soft apocalypse. She also has a book of stories called We Won't Be Here Tomorrow with very much that same overtone of community as the driving force of everything worth having as the world falls apart.
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